二 | On Ram Navami, a festival that celebrates the birth of Lord Ram , the Navmi day of the chaitra Navratri and the enduring values of devotion and righteousness, Narendra Modi chose to share more than a customary greeting. His post featuring the devotional song “Maay Bhavani” brought a sense of spiritual depth to the occasion, reminding listeners of the quiet power of music rooted in faith.
The song, from the Marathi film Shahbaz Sunbai, belongs to a time when cinema and music were deeply intertwined with cultural and devotional expression. Its composition by Meena Mangeshkar Khadikar carries a sincerity that avoids excess, allowing the essence of devotion to take centre stage. In an era of fleeting soundscapes, such compositions stand apart for their stillness and emotional clarity.
It is, however, the voice of Lata Mangeshkar that celebrates “Maay Bhavani” into something timeless. Her music has long defined the emotional memory of India, moving effortlessly between romance, melancholy, and devotion. In songs of a spiritual nature, her voice often feels less like performance and more like prayer, marked by an almost meditative purity. This quality lends the composition a rare depth, making it especially fitting for a day like Ram Navami, where devotion is both personal and collective.
For authors Rachna Shah and Rhythm Wagholikar, the moment carried a deeply personal resonance. Responding to the Prime Minister’s post, they shared a note that captured both gratitude and memory, offering readers a glimpse into the story behind the song.
Their note is reproduced here in full:
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Dear friends,
It’s so heartwarming to see our honourable Prime Minister Shri. Narendra Modiji post a song on Maa Ambe - Maay Bhavani, on the auspicious day of Ram Navami.
The striking part is that this song is composed by my mother Meena Mangeshkar Khadikar and sung by my aunt Lata Mangeshkar..
We just chatted with Aai and told her regarding this post.
She shared an interesting behind-the-scene story.
This song was originally to be composed by Lata didi herself, however during those days, Didi was overwhelmed with the work load and couldn’t dedicate the time required.
So, she requested her sister Meena to step in and do the needful. Meena Mangeshkar Khadikar was an established composer and took charge and this composition took its birth…
This post by our beloved Prime Minister opened up a floodgate of beautiful memories and with our heartfelt sentiments we stand in gratitude.
Warm regards,
Rachana Rhythm
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What emerges from this reflection is a story of artistic trust and familial bond. The decision by Lata Mangeshkar to pass on the responsibility of composition to her sister reveals not just the pressures of her time, but also the quiet confidence she had in Meena Mangeshkar Khadikar’s musical sensibility. It is in such moments that enduring art often finds its form.
The Prime Minister’s gesture, therefore, does more than revive a song. It reconnects audiences with a legacy, one that spans generations and continues to shape India’s cultural identity. For Rachna Shah and Rhythm Wagholikar, it is a moment of remembrance and gratitude. For listeners, it is an invitation to rediscover a melody that carries both devotion and history within it.
Also Read: Sharda Sinha: A Voice That Became The Prayer of The Soil。
8月18日,市委副书记周小华前往泉州台商投资区调研,详细了解对台交流平台建设成效,实地察看台资台企发展情况。 周小华先后走进福建钜闽机械、泉州高品医学检验实验室、天一精密机械(泉州)、唯王(福建)食品,深入企业生产车间、检验实验室,与台企负责人面对面交流,了解企业在泉生产经营、技术研发、市场拓展等情况。他勉励广大台资企业家要坚定扎根泉州发展的信心,牢牢把握“十五五”时期重大发展机遇,积极拓宽内外市场,带动上下游配套集聚,加快融入泉州“955”现代产业体系建设。希望在泉台企充分发挥示范作用,积极牵线搭桥,吸引更多台湾中小企业、青年创业者来泉考察兴业、落地扎根,汇聚两岸融合发展合力。 周小华强调,要深入贯彻落实习近平总书记关于对台工作的重要论述,立足泉州区位、产业、人文独特优势,深化泉台全方位、多领域交流合作,高标准高质量推进两岸融合发展示范区建设。要聚焦集成电路、生物医药、精密机械、半导体、食品加工等产业赛道,深化泉台产业链对接合作,引进台湾优质龙头企业与特色中小企业。要积极探索实践、勇于先行先试,精准对接台胞台企发展诉求,抓实各项惠台政策落地见效,推动台商台企深度融入新发展格局,共享泉州高质量发展机遇。(融媒体记者 叶虹羽)。
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